Resources & references

This article summarizes many ways in which music therapy is used in medical institutions. Testimonials from patients and interviews with therapists are featured. 
 

This article describes the ways music therapy has been applied to help children cope with anxiety related disorders

George Stroumboulopoulos sits down with Chrissy Pearson, the Executive Director of the Canadian Music Therapy Fund, to discuss how music therapy can help a brain recover after a stroke. Visit the Academy of Neurologic Music Therapy website to learn about Neurologic Music Therapy. .

UofL Health (Louisville, Kentucky) is integrating music therapy into its care plan for inpatient psychiatric patients at UofL Hospital. This video introduces you to Katelyn Farris, the music therapist who is helping patients relax and recover through the soothing sounds of music.

This video exposes a case study of a child who was born without eyes and has always feared medical procedures. She is enrolled in music therapy at the University of Michigan C.S. Mott Children’s to decrease her anxiety.

This article examines the use of the non-verbal voice in music therapy with children with severe learning disabilities, complex needs and autism. Recent literature on the use of the voice in music therapy is summarised and links are made between the aims of music therapy and those of special educational establishments. Theories regarding the voice and the self, and the important connection between body awareness and emotion as precursors to learning are referred to, particularly in relation to learning disability.

This mixed-methods pilot study investigated whether nine Neurologic Music Therapy (NMT)® sessions via telehealth would improve motor and attention skills in autistic children. The improvements in motor skills and positive caregiver and therapist views of telehealth indicate that NMT motor interventions administered via telehealth are a promising avenue of therapeutic support for movement skill development in autistic children.

Music therapy is being used in Calgary to help individuals with neurological conditions work towards their goals

This intervention guide is designed for music therapists and recreation and leisure/activity team members who support individuals living in retirement and long-term care (LTC) homes and wish to provide intergenerational music therapy experiences to their residents. The creation of the Jamboree was a collaborative process between the music therapist and the director of recreation at the Village of Riverside Glen LTC home in Guelph, Canada. The team advocates that creating intergenerational opportunities can benefit the health and well-being of both younger and older individuals. 

The Jamboree is an intergenerational music therapy program in which young children, typically between the age of 0-4, and their accompanying adults (e.g., parent, grandparent, guardian) take part in weekly music therapy sessions along with residents living in retirement or LTC. During each session, a certified music therapist leads the group in singing songs, moving to music, using instruments and props (e.g., drums, scarves, bubbles) and gently facilitates interaction between participants. Additional care providers (e.g., recreation team members) observe, support and can participate in the program alongside the residents.

This study describes an interprofessional intervention program, combining the expertise of an occupational therapist and of a music therapist to systematically teach piano keyboarding to preschool children with impaired vision. We conducted a small, mixed methods non-randomized pilot case study to determine how such a program could be successfully embedded into a preschool setting, to examine if fine motor skills improve post-intervention, and to study the perceived effects on participants and their families.

This paper conceptualises songwriting as an ‘after-queer’ approach for exploring notions of gender and sexuality with young people. The article draws on songs created by seven groups of young people in music-based workshops which took place in schools with participants aged between 14–17. Songwriting was used to explore the participants' imaginings of what gender might look like in their "perfect world". The paper highlights the value of creative and arts-based methodologies in queer research, through which expansion and questions of possibility, alternative, and identity can be raised and responded to.